middle of nowhere 2024 archived notes, saved curtain, welcome mat, wooden door, borrowed feathers 28.5 x 51.5 x 52.5” Kacey Slone | |
Mind map (la tierra) 2022 Paper mache clay, watercolor, collage 10 x 14.5” Laura Camila Medina | |
I want both. 2022 Glossy Giclée Print, Magic Sculpt, dust, tape, archived note 9.75 x 9.75” Kacey Slone | |
Who was on the other side? 2023 Paper mache clay, monotype on chiffon 11.5 x 7.5” Laura Camila Medina | |
Why can’t I have both? 2022 Glossy Giclée Print, Magic Sculpt, dust, tape, archived note, gifted trinket 10 x 9.25” Kacey Slone | |
Limewire 2022 digital print on silk, chiffon, dye, thread Approx. 26.5 x 10 x 3” Laura Camila Medina | |
Bautizo 2022 digital print on silk, chiffon, dye, thread Approx. 21 x 10.5 x 2” Laura Camila Medina | |
Casita Atipica 2022 digital print on silk, chiffon, dye, thread Approx. 33.5 x 19.5 x 6” Laura Camila Medina | |
Minnie n Me (after sculpture) 2022 digital print on silk, chiffon, dye, thread Approx. 23.5 x 12 x 3.5” Laura Camila Medina | |
bluets 199. 2024 Aluminum gate, rug, wood, collected photograph on sticker paper, magic sculpt, crushed velvet, dust Dimensions variable Kacey Slone | |
through little paper windows I can see you and you can see me (mariposario) 2024 Chiffon, thread, paper mache clay, video projection of stop motion animation and video collage Dimensions variable, 2:29 minutes Laura Camila Medina | |
being there, being there 2024 Collected window sill, crushed velvet, dust, archived photo on sticker paper, wood, saved outdoor light 40 x 42.5 x 3.5” Kacey Slone | |
distance as a poem 2024 Collected frames, archived photograph on sticker paper 21.25 x 9.25 x 6.5” Kacey Slone |
ABOUT THE SHOW
Easyside presents Talespinner, a two person show by Laura Camila Medina and Kacey Slone, on view at Arts Fort Worth from August 2-24. An opening reception will be held at Arts Fort Worth on August 2 from 6:00-9:00 pm, with an artist talk the following day, August 3, from 1:00-2:00 pm.
Beginning from different suburban sensibilities – Medina, from Bogotá, Colombia and Orlando, Florida, and Slone from Southern Indiana and North Texas – the artists chart paths that traverse memory and fantasy, sadness and solitude. While Medina’s practice relies on an amalgamation of personal symbols and mass media images to fuse together a visual world encompassing her experience of displacement between nations and cultures, Slone’s work fixates on ubiquitous Midwestern objects that signify presence, time, loss, and the conduit to an individual self.
In Talespinner both artists remember – and misremember – the essence and details of significant places. Often referencing pop cultural and domestic subjects, the artists oscillate between deconstruction and reconstruction of places they once knew intimately. The work reveals how place becomes essential to identity, and furthermore how the choice to document and explore those place memories can constitute a practice of resistance. The works in Talespinner guard the artists’ specific experiences against the possibility of being forgotten or absorbed by the dominant cultural landscape.
The show interweaves the artists’ shifting states and morphs into a new realm. Windows and screens become portals to past and future experiences. Spider webs and fences gather disparate elements, sometimes displaying and sometimes protecting. Talespinner welcomes the audience into a shared experience, insisting on dream and reflection as a method to establish one’s place of belonging.
ABOUT THE ARTISTS
Kacey Slone was raised in a cornfield in Southern Indiana. Her work investigates identity, memory, and how place affects one’s belonging. By using familiar objects, Slone hopes to connect with others through collective memory. She earned a BFA from Indiana University Southeast in 2018, where she double majored in printmaking and graphic design, and earned her MFA in Intermedia at the University of Texas at Arlington in 2021. She was the 2023 Artist in Residence at Carnegie, Center for Cultural Arts in New Albany, Indiana and recently exhibited work in Kith and Kin: Things Well Known, a two person exhibition with Rachael Banks at Wave Pool Gallery in Cincinnati, Ohio. She recently co-founded JuniorJr, a Risograph press/studio, with long time friend and colleague Kathryn Combs. Slone teaches at Indiana University Southeast and Auburn University and works as the Gallery Manager for Harrison County Arts.
Laura Camila Medina (1995) is an interdisciplinary artist born in Bogotá, Colombia. Her practice is deeply inspired by the kisses between mountains and sky of her birthplace intertwined with the thematic fantasy-scape and migrant microcosms of Orlando, FL. Her work has been exhibited at Fuller Rosen Gallery, the Portland Art Museum, Nationale, and with the Nat Turner Project. She was awarded the AICAD Post-Graduate Teaching Fellowship, the Dean’s Travel Grant and CCAM Fellowship at Yale University, Individual Artist Fellowship from the Oregon Arts Commission, New Media Fellowship at Open Signal, and various artist residencies including: the Living School of Art, ACRE, and Centrum. Medina is represented by Nationale in Portland, OR. She earned her BFA at the Pacific Northwest College of Art and her MFA in Painting and Printmaking from Yale University.
ABOUT EASYSIDE
Easyside is a volunteer-run 501(c)3 organization seeking alternative methods of creation and care to better equip artists and communities in East Fort Worth. Our exhibition program focuses on showcasing experimental, contemporary art and increasing public engagement with emerging artists from underrepresented communities, particularly those who identify as BIPOC, LGBTQIA, and women.